Dark Forest Theatre’s, I, She, Medusa begins with a disarming, playful tone that draws the audience in and lowers its guard. But as the hour unfolds, the humour fractures and something far more unsettling emerges. This reimagined Medusa shifts from a myth to exposing the lived realities of women silenced, scrutinised and confined.
A deceptively light hand puppet scene captures that tonal shift. Two small figures meet, flirt and fall in love in a moment that feels charming and innocent. Yet the tone pivots with chilling precision. Affection curdles into control and playfulness gives way to something deeply unsettling.
Visually, the production is striking in its simplicity. The set is sparse, dominated by a digital clock counting down. With every tick, the scene changes, each second tightening the tension. In contrast, there is a moment of quiet beauty as she dances with fans, red material flowing softly around her like fire. The movement is gentle and almost tender, a rare softness that underscores both vulnerability and defiance.
In partnership with Women’s Aid Armagh & Down and Women’s Aid Belfast & Lisburn, the production becomes a powerful act of remembrance, its final moments met with raw emotion and a deeply deserved standing ovation.
Currently performing at The Mac, Belfast
